Citizens for Culture team.
Click below to meet our teams:
Our Oversight Group
Our Partners
Our Community Mobilisers
Our Advisory Panel
Meet the Oversight Group:
Overseeing the different aspects of the Citizen’s Assembly from the perspective of equity and inclusion
Ali Browning
Disability.Inc. Manager, WECIL
Ali has been working at West of England Centre for Inclusive Living – WECIL – for over 8 years. WECIL is an award winning, user-led organisation supporting Disabled people to live the life they choose. Ali’s role as Disability.Inc. Manager is to provide advice and support to businesses to be more inclusive and accessible to Disabled people through their recruitment processes, in-work support, training and access audits. Ali is passionate about removing barriers that Disabled people face in their day to day lives and work with a fantastic team of staff and volunteers.
Alison Bancroft
Consultant
Alison’s experience includes arts education, community arts, her own design practice, supporting creative start-ups and public arts projects. She has worked in regeneration and development at a senior level, focussing on project management, community engagement and fostering productive cross-sector communication. Most recently, on behalf of Race Equality North Somerset, she has established The Other Place as a space for inclusive community-led experimentation and participatory action research.
Blaise Penny-Kirkwood
Creative Youth Network (Youth Voice Co-ordinator), IAM13e (MC / Poet / Host / VO), Aim2Be (Wellbeing Practitioner & Founder)
Blasie is the newly appointed Youth Voice Coordinator for Creative Youth Network. Blaise is a mixed heritage, multi-disciplinary wellbeing facilitator, published Poet, MC, and host. He has performed at major events like St Paul’s Carnival and Glastonbury and works with young people in schools and arts academies. Blaise aims to amplify youth voice within his role and bridge the gap between wellbeing and creativity through his organisation, which partners with major festivals. He is an advocate for cultural diversity, wellbeing provisions for creatives and inclusion within the arts. Creativity and youth empowerment.
Dr Thom Oliver
Senior Lecturer in Politics at the University of the West of England, Bristol
Thom has expertise in democratic governance, participation, and public administration. He leads the Qualitative Election Study of Britain and co-directs the Bristol Civic Leadership Project. His research focuses on participation, leadership, and representation. A frequent media commentator, Thom has published widely on elections, city leadership, party politics, and elected mayors, drawing on over 15 years of academic and policy-facing experience.
Ian Noah
Design/Media Consultant; Chair of Race Equality North Somerset
Ian is a creative multi-disciplinary designer and media producer. Projects range from furniture design, commercial interior design and property development to experimental film, digital museum archiving, and corporate television production. His consultancy work includes the development of several national and international arts and cultural heritage projects and he continues to explore and support new creative opportunities that promote cultural and social justice and knowledge equity.
Kate Webb
Head of Creative, Creative Youth Network
Kate has worked in the Bristol Creative Sector for 30 years as an artist, community facilitator, producer and strategist. Her work has always centred around young people and community projects. She is now the Head of Creative at CYN where she manages the creative delivery. This means seeking out partners, fundraising and working with the team to deliver creative provision and support young people to begin careers in the creative and cultural industries. At the core of CYN’s work are young people who co-design and evaluate all the work.
Previous to this role Kate was a freelance producer working for organisations such as Super Culture, Cirque Bijou, Extraordinary Bodies and Bristol City Council. She also worked at Circomedia for 20 years teaching and setting up the youth provision, BTEC Courses, development and outreach programmes. She is Chair of the Board for Circus City Festival and sits on the South West Bristol Co-operative Learning Trust.
Liz Jessica Medrano
Founder of BEESPOKE Sustainable Fashion & Creative Hub
Liz is a textile artist, designer, and creative facilitator originally from Venezuela, now based in the UK for over 20 years. She founded BEESPOKE in Thornbury, a soulful studio, the smallest shop in town, rooted in sustainability, community, and cultural storytelling. Through vintage fashion, upcycling clothing, conscious repairs & alterations, haberdashery and creative workshops also, Liz fosters connection, empowerment and circular thinking. Her practice weaves together artistic expression, spiritual intention, and care for people and planet, offering a welcoming space for co-creation and local engagement.
Makala Cheung
Director, Filwood Community Centre, community activist, freelance creative and music artist (known as) KALA CHNG
Makala has featured on The Bristol Cool List (2021+22), is one of Bristol’s first voted Happiness Champions, was one of the composers for Bristol Beacon’s ‘A New Song For Bristol’, and for Listen Imagine Compose Primary, exploring how to teach creativity in schools. She’s helping lead the Levelling Up development for a new cultural hub for south Bristol, and previously led the Creative Civic Change work now known as Filwood Fantastic.
Mandy Gardner
CEO of Voluntary Action North Somerset
VANS supports and advocates for the nonprofit sector. I have a wealth of experience working with individuals and groups to make positive impacts on their communities. I am passionate about harnessing the power within communities to deliver vital economic, health and well-being outcomes.
Margaret Slucutt
Senior Charity Manager Retired
Margaret for the majority of her working career was in social care and housing in local, regional and national positions mainly in the charity sector. Since retirement she has been keen to ensure the voices of people over 50 are heard with South Gloucestershire running the SG Over 50’s Forum for 8 years, working with community development organisations and part of various partnerships run by South Glos Council.
Currently she is working with partners to develop an Age Friendly South Gloucestershire – part of the World Health Organisation world programmes. Besides all her voluntary work running things since retirement she is also a volunteer with Age UK SG, Turnaround, One25 and BOSS – Bristol Ostomy Self Support, as well as a number of roles within her Methodist Church.
Rachael Fagan
Freelance Actor/ Producer
Rachael is a freelance actor, deviser, writer and producer. She trained at the Royal Birmingham Conservatoire. She is artistic director of www.persiflageproductions.com a freelance production company. She lectured at UWE for two years in the specialist area of Actor training for stage. She has been on the national council of Equity the performing arts and entertainment trade union for three years. She was a trustee of the Equity Charitable trust for two years.
Renée Jacobs
Founder of the Belonging Network
The Belonging Network is a social enterprise which supports people from minoritised backgrounds in the world of work, and strives to cultivate belonging in Bath and the surrounding areas.
Renée is passionate about developing connections with and between people and communities, and brings this passion to the Belonging Network and her life more generally.
Roger Griffith
Writer, cultural historian and seasoned diversity consultant.
As a former Executive Chair of award-winning Ujima Radio, Roger co-founded the impactful Black and Green programme. A passionate advocate for cultural stories and social justice, Roger champions lifelong learning, evidenced by his recent TEDx Talk.
He leads Creative Connex CIC, incubating the Black Seeds Network, and lectures at UWE Bristol. Honoured with an MBE, Bristol Lord Mayor’s Medal, and honorary doctorate, Roger is dedicated to serving diverse and underserved communities.
Ruby Sant
Artist
A non-binary, traveller artist brought up on a council estate. Ruby is a keen advocate and activist for human rights, creating fairer opportunities for people limited by socio-economic factors. In particular invisible inequalities for ‘outsider’ communities. Ruby is an experienced designer and metal fabricator with speciality experience building large-scale, free-standing, sculptural work.
Ruby has worked as a community organisational lead for over a decade including ten years as a specialist facilitator and educator with hard-to-reach groups such as young offenders, members of the Gypsy, Roma & Traveller (GRT) community and people living with long-term mental health conditions. Ruby currently leads the inclusive communities team at Bath Spa, and is Co-Director of Little Lost Robot CIC, who run Old Printworks Arts creation space in Radstock.
Zannah Chisholm
CEO of Circomedia in Bristol
Zannah previously ran arts charities in Exeter, Bournemouth, Surrey and London. Two features of her leadership are her attention to improving equity within and outside her organisations and finding that sweet spot between driving financial viability and holding the art and community central to the purpose of the charity. She relaxes by being by the sea or river and is a solo parent to two teenagers.
Meet the Advisory Panel:
Responsible for selecting the evidence for citizens’ assembly including submissions from the Open Call for evidence
Batch Gueye
Batch Gueye is a West African Griot—an artist whose music and dance tell stories rooted in his Baye Fall heritage. He began his journey singing spiritual chants in his village and evolved into a musician whose songs explore life, love, migration, and personal growth. Originally a professional dancer, Batch performed with top Senegalese artists like Youssou N’Dour and Baaba Maal, as well as touring with the hit show Afrika Afrika!
His vibrant dance mirrors the colorful traditions of his people, blending traditional and modern African styles. Batch has released multiple albums, including Ndiarigne, Xamle, Moytou, Do You Hear Me?, and In This New Land. Notable achievements include winning the World Music Network’s 2012 Battle of the Bands, featuring in a BBC Earth documentary with David Attenborough, and receiving the 2021 Raaya Music Award for “Best Artist in the Diaspora.”
With his band, Batch has performed at major festivals like WOMAD, WOMEX, Glastonbury, and Shambala. He also founded Sabar Family Ltd, an award-winning initiative preserving West African music and culture through global workshops and performances.
Bogdan Mihai Florea
Bogdan is a professional actor and researcher in Theatre Studies at the University of Bristol, UK. He has recently finalised a Duignan bursary-funded PhD thesis titled Actor in a Second Language. He is co-founder of Nu Nu Theatre, a theatre company that supports and engages with professional actors who use English as a second (non-native) language. He has presented academic papers at universities in the UK, Finland, Switzerland, Poland, Denmark, Ireland, Norway, USA, Germany, Lithuania and published in academic journals. He recently worked on the Recycle City project, part of the University’s wider initiative Connecting through Culture as We Age: Digital Innovation for Healthy Ageing, which engaged with members of local communities across Bristol. He has also delivered acting and theatre-making workshops for second language speakers in Barton Hill.
He does independent research into second language creative usage, within his Centre for Actors in a Second Language. Nu Nu has produced theatre projects supported by ACE, University of Bristol, Theatre Bristol, Spike Island, Helsinki Arts University, Arnolfini Bristol, The Roundhouse, LAPER (Live Art and Performance Group) Oxford. The company has collaborated with Compass Presents Cinema, as one of six artists selected to create work in the ACE-funded project Oracles in Sepia, presenting work at Gothenburg Theatre Festival and their piece BANDIT won Biggest Face Punch Award for ‘uncompromisingly capturing the essence of oppression’ also being nominated for Best Performance. The company featured in the official selection of High Fest Theatre Festival, Yerevan, Armenia. Recent commissions included University of Bristol (with the project Bread of Bristol), International Multimedial Art Festival – IMAF, Serbia, Shinano Primitive Sense Art Festival, Japan, Performance Køkkenet and Gallery of Modern Art Mundana Antwerpen, Belgium, the Museum of Contemporary Art “MANU.” Their project Experiment Ionesco was one of 20 productions worldwide to be shown during the World Theatre Day 2021. It received the award ‘Inspiring and Outstanding Performance’ from UNESCO ITI Worldwide.
Claire Miller
Claire is a Chartered Architect and Retrofit Designer at Askew Cavanna Architects, specialising in socially driven design. Throughout her career, she has collaborated with charities and community groups, delivering projects ranging from environmental retrofits to new cultural spaces — all grounded in a people-centred approach.
She leads the practice’s co-design and community engagement work, and is a strong advocate for gender and racial equity, education, and social mobility in the built environment. Claire brings expertise in energy-conscious design, and also contributes as a Design West review panel member, Associate Lecturer at UWE, and Trustee at the Centre for Sustainable Energy.
Her recent work includes Docklands Youth & Community Centre, recognised in the RIBA Journal MacEwen Awards, and the redevelopment of the Coach House in St Paul’s into a Centre for Black Enterprise and Culture with Black South West Network.
Divija Melally
Divija Melally is a movement artist trained in contemporary and Bharatanatyam, invested in taking movement and art to different spaces through performance, choreography and facilitation. Her creative practice revolves around exploring the amalgamation of contemporary dance and Bharatanatyam with text and theatre. She is interested in creating works that explore human themes, and strives to offer new perspectives and stories to her audience. Working with communities lies at the heart of her practice, and she facilitates sessions for refugees, asylum seekers, vulnerable communities, older groups, and young people. She has received the Moving with the Times commission from Pegasus Theatre in 2023 and 2024, and is currently working on the Dance East x Akademi commission exploring dance and its relation to health and well-being. Her work “One Foot in the Dark” in collaboration with writer and poet Saili Katebe, will premiere at Trinity Centre, Bristol on 13 May 2025.
Claudia Collins
Claudia Collins is a socially engaged artist, creative producer, and advocate for neurodiverse and community-led ways of working. With a background spanning early years education, arts therapies, and place-based practice, Claudia brings a playful, inclusive approach to co-creation and cultural placemaking. Her work sits at the intersection of art, health, and social connection, often developed in collaboration with local people in Knowle West, Bristol, where she lives and works.
She is currently working with Travelling Light Theatre on the Light Up Language project, bringing creativity and connection to early years settings through storytelling, sensory play, and imagination-led experiences.
Alongside fellow social artist and maker Megan Clark Bagnall, Claudia co-founded the CIC LIGHTS! LIGHTS! LIGHTS!, producing joyful, hyper-local social spectaculars with the Knowle West community.
Claudia has worked with organisations including Hospital Rooms, Knowle West Media Centre, and Filwood Fantastic, leading projects that centre lived experience and champion creativity as a tool for wellbeing and change. Through her social enterprise Brislexic, she celebrates defiant, neurodivergent thinking and has produced everything from subversive Valentine’s Day merch to an alternative theatre show—always with humour, heart, and a strong DIY ethic.
She is a former SSE Fellow and scholarship recipient at Dartington Arts School, where she completed an MA in Arts and Place. Claudia’s approach is deeply relational and rooted in care, valuing slow, spacious processes and citizen-led decision making. Whether dressing as a giant chip or hosting snail-inspired wellbeing workshops, she uses art as a way to bring people together, spark joy, and build alternative futures.
Helen Farmer
MOST excited exploring/ ideating/ connecting with people and stories and possibilities that are missing, and supporting frank conversations – go deep or go home, changemakers.
Helen Morley
Helen is a theatre director and participation producer based in Bristol.
As a director she likes to make work that explores pressing political questions through a bold imaginative lens, creating space for different perspectives and alternative ways of being. She has made work for The Yard Theatre, The Bunker Theatre, Edinburgh Fringe, VAULT Festival, MAC Birmingham and BBC Sounds.
As a participation producer she is interested in how theatre can be used as a tool in policymaking and community consultation, inspired by Legislative Theatre practice. She was previously Creative Arts Programme Lead at Prime Theatre and has extensive experience designing and facilitating participatory art projects for and with young people, particularly vulnerable young adults.
James Sherlock
James Sherlock is a community Pharmacist of 20 years experience working predominantly in and around the satellite towns of North Somerset. He completed his studies in Bath and has family connections to the Bristol area.
James and his wife have two children, the eldest being a 9 year old boy who has Cerebral Palsy and Visual Impairments. As a family they have experienced the difficulties that physical and sensory impairments (and having young children!), can have on one’s ability to participate in and experience familiar cultural activities. This necessitated the need to explore further, what is available locally, and how it can be accessed.
James is the primary caregiver to his children and following attendance at a music based toddler group run by Now Hear This Music with his youngest child, James became involved as a Director of Now Hear This Music CiC.
Now Hear This Music CiC was founded by Laura Porter in 2024. Laura Porter is a creative health practitioner, inclusion specialist and musician with a background in performance, teaching and ethnomusicological research. Laura acquired a physical disability later in life and her lived experience of the barrier to participating in traditional music settings and performance due to accessibility led her to found Now Hear this Music. The premise of which is that music can be delivered in a way that is accessible and meaningful to all.
Over the last year Now Hear This Music CiC has run R&D projects with a vast range of micro communities across North Somerset to understand the difficulties these groups face in attending music taught in traditional settings and venues.
Our aim at Now Hear This Music is that our activities are accessible to all people of all abilities.
We offer weekly group sessions to people of all ages with or without disabilities, always run in accessible venues and we create platforms to bring communities together to share their music.
We have recently been involved in co-producing and recording a folk song with a local songwriter Ian Smith aka ‘Little Smudge’ and helped him realise a project 40 years in the making. Ian is very kindly donating all streaming revenue from this series of songs to Now Hear This Music CiC.
Lucy Heard
Lucy Heard is an experienced arts producer, public contributor, and advocate working at the intersection of culture, health, and social change. With a background in outdoor arts production and public health engagement, Lucy brings a unique blend of creative leadership and policy insight to her work. She has collaborated with organisations such as The British Library and supported nationally recognised artists, developing immersive and accessible cultural experiences in public spaces that amplify underrepresented voices.
Lucy currently serves as a Public Contributor to the Strategic Health Inequalities, Prevention, and Population Health (SHIPPH) Committee, where she supports local NHS policy implementation and research addressing health inequalities, mental health, and homelessness. Her work is grounded in a deep understanding of inclusion, lived experience, and co-production, shaped by years of advocacy and frontline engagement.
With a strong commitment to citizen-led decision-making, Lucy uses arts and technology to bridge gaps between communities, institutions, and policymakers.
Photo Credit – Bee Golding
Lynda Rooke
Lynda Rooke is a British Actress and President of Equity UK, with five decades of experience across television, stage, film, radio, and voice-over work. Recent television credits include Lucy Woodrow in Coronation Street and Kate Billings in All Creatures Great and Small.
Her extensive television career spans major BBC productions including Endeavour, Doctors, Casualty, Silent Witness, Hollyoaks, and Waking the Dead, alongside appearances in Lewis, Identity, Bad Move and Chickens for Sky Comedy. Notable stage work includes The Lovely Bones at Birmingham Repertory Theatre which then toured nationally, Jane Eyre for National Theatre Tour, and productions at Bolton Octagon including Piaf and Queen of the North.
She has worked with Manchester Library Theatre, Bristol Old Vic, and repertory theatre companies nationwide. She trained at E15 Acting School and graduated with a MSc from University of Bristol. She also holds a BA in Economics. She is based in Bristol, where she has brought her 3 children up, and was a governor at Cotham School where she focused particularly on Performing Arts and Inclusion and continues to fiercely defend performing arts funding and cultural provision in the city.
As President of Equity, she champions industry reform including tackling harassment, improving working conditions, addressing underrepresentation, and campaigning for affordable childcare provision, with particular focus on supporting older women in the industry and challenging class barriers within creative professions
Oliver Gamblin
Oliver Gamblin is a playwright, theatre producer and educator with extensive experience in creating inclusive, community-focused work. He has produced a number of participatory performances, including with Bristol-based mental health charity Many Minds, where he worked with refugees and young people facing homelessness, using their stories to create immersive performances. With support from the Arts Council he founded Spit & Polish, which championed emerging spoken word poets through live events and commissions, including Unspoken Words, a project in which young carers and older people with experience of isolation and loneliness collaborated on a spoken word performance staged at Bristol City Hall. His plays have been staged at venues including Bristol Old Vic, The Pleasance, Plymouth Theatre Royal, and The Arcola. Oliver’s work blends storytelling, education, and social engagement to inspire and connect diverse audiences.
Simbah Pilé
Simbah Pilé is a contemporary visual artist from Barbados, living and working in the city of Bath. Through her art she examines the intersectionality between colonialism, plants and people.
She has showcased her work and facilitated community engagement workshops both nationally and internationally. Previous workshop facilitations include the Barbados Horticultural Society, the British Academy and the Holburne Museum.
As a mother, a member of the Rastafari community, the global majority and a person who migrated to the UK, she brings her unique lived perspective to the panel.
Meet the Community Mobilisers:
Supporting the work of the sortition process to reach specific communities
Ella Sayce
Ella is a visual artist. Her work is grounded in a commitment to inclusion, with a particular focus on neurodiversity and underrepresented identities. Drawing from her own lived experience, she uses the camera to amplify stories that challenge stereotypes and celebrate the richness of human variation.
Her practice centres on creating safe, collaborative spaces where subjects can be seen on their own terms. Through portraiture and visual storytelling, she aims to disrupt conventional narratives and invite viewers to engage with difference not as deficit, but as a vital part of our shared humanity.
Larna Makeda Bernard
Makeda is experienced and qualified in economics, statistics, social and market research, project management, CX and UX. Over 30 years’ experience in corporate UK where she worked at senior management level with a focus on the consumer, in a range of sectors including Banking, Energy, IT/Tech, Engineering, Personal Financial Markets, Regulation, Commodities and Publishing. She currently runs a bespoke management consultancy and works on a voluntary capacity in the community for ACC.
Since 2020 she has tried to embed her work more in the community having done a range of community activities including education, working with homeless people, be-friending stressed families, mentoring of young people, primary school reading, school governor and is a former director of a community health project. She is currently deputy chair of an award-winning theatre group, Ad Infinitum, and has taken the helm of the cooperative economics brief for ACC working with BSWN and Bristol University to further these goals. Through these activities she has helped to put on numerous community events to raise awareness – many of which have had an artistic element. She believes in the power of art to transform and heal and is therefore proud to be the South Gloucestershire Community Mobiliser.
Meet our Partners
Working together to deliver Citizens for Culture
Emma Harvey
As CEO, Emma has played a pivotal role in shaping Trinity as an inclusive, vibrant hub for creativity, heritage and social impact.
Since joining Trinity in 2007, Emma has grown the organisation from one to over 50 members of staff as well as leading on strategic initiatives to enhance community engagement, secure sustainable funding and advocate for greater accessibility within the arts.
She has overseen major capital projects, including the restoration of Trinity’s historic Grade II* listed building, ensuring its long-term preservation as a cultural asset. Her leadership has supported the growth of Trinity’s diverse programming, spanning live music, theatre, participatory arts, and youth development.
Passionate about social equity and creative empowerment, Emma is committed to fostering partnerships that amplify the voices of underrepresented communities. She actively contributes to sector-wide discussions on cultural policy, inclusion, and community-led regeneration. She is also a Trustee of Bristol Law Centre.
Emma’s work at Trinity reflects her dedication to using the arts as a catalyst for positive change, ensuring that creative opportunities remain open to all.
LaToyah McAllister-Jones
LaToyah is the Executive Director of St Pauls Carnival as well as the Deputy Chair of the Bristol Old Vic, having previously worked as the Head of Operations at Ujima Radio. LaToyah has significant experience working across a range of communities and cultural institutions in the city of Bristol particularly with African Caribbean-led community organisations.
Driven by social justice, LaToyah has over 20 years’ experience working in the homelessness sector with complex needs individuals and is experienced working in multi-disciplinary environments. She was also an associate non-executive director at NHS North Bristol Trust until 2022.
A community organiser and creative, LaToyah’s work is at the intersection of activism and creativity, platforming stories and narratives as a way to connect with everyday activism.
Anjali Prashar-Savoie
Anjali is a producer and writer dedicated to creating equity in the arts. Her practice spans creative producing, curation, DIY publishing, research, and DJing – always rooted in collaboration, care, and alternative ways of making and being together. Alongside producing the Citizens Assembly with Citizens for Culture, she is currently Operations Lead at misery, a mental health collective and sober rave for queer people of colour, and a part-time yoga & movement instructor.
Previously, Anjali was Music & Events Producer at The Yard, where she led a 100+ event club programme and introduced new development pathways for racialised and disabled nightlife workers. Alongside festival producing with organisations like Shubbak and Nelly Ben Hayoun Studios, she also sat on the board of Good Night Out, a campaign for safer nightlife.
With a BA in Social Anthropology (SOAS) and an MA in Art & Politics (Goldsmiths), her research and writing centres on clubbing, community organising, and nightlife economies. Anjali’s writing has appeared in various publications, and she has a forthcoming book with Velocity Press in 2026.
David Jubb
David is the co-founder and co-director for Citizens In Power which has a purpose to co-design ways for citizens to lead decision-making and shape the future. David work on things like citizen-led decision-making initiatives such as Citizens’ Assemblies.
He is a producer which means I love organising. I spent 15 years as an Artistic Director and CEO of Battersea Arts Centre. His work in the cultural sector has focussed on how organisations can shift their purpose and mindset, from a preoccupation with their own interests to becoming a resource for other people’s passions, ideas and creativity.
David believes it is time governance got a reboot. Why do we make decisions in publicly funded organisations without involving the public? Why do we have a House of Lords when we could have a House of Citizens? Decisions are better when they are made by a diverse range of people. We need to embed citizen-led decision-making into all our governance models.
Sarah James
Sarah is Head of Cultural & Creative Economy at the West of England Mayoral Combined Authority. She is an experienced CEO and Director, an audience development specialist with a demonstrated history of working in the arts, heritage and cultural sector.
Skilled in setting and monitoring organisational strategy and business planning, fundraising, programme and event management, financial reporting and team leadership. Strong human resources professional with a Bachelor’s degree focused in Art History from University of Plymouth.
Purplefish
With over a decade in business, Purplefish is a PR and Communications agency that puts its people first and works with businesses, brands and purpose-driven organisations it believes in.
The Purplefish team use their creativity, media knowledge and social expertise to create multi-channel communications that tell stories, build public image and engage with audiences.
Over the years, Purplefish has honed its offering to play to its strengths and experience in the sectors it feel passionate about – with specialisms in property, tech, hospitality, not for profit and consumer markets. Purplefish are a business that puts purpose before profit and its ambitions to make a positive impact both socially and environmentally weaves through everything they do.
